From these I sketched a selection of four trees in fine-liner.
Once the sketches were complete I got to work on vectoring the trees into a more detailed, stylised format to allow for quality printing and simplicity in design.
Even though it took a lot longer than I had originally hoped for, I was very happy with the outcomes of each of the illustrations, they all looked different but at the same time part of a set. This was something that would be an important element upon developing the pattern.
I sent the first one to Kinoko just to make sure that I was fulfilling the look they were envisioning and fortunately I had understood what they were wanting.
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